The Arts and the Creative Industries in the UK, amidst a UK Government Policy of Herd Immunity, Voiceless.



The outcome of current UK Government policy is placing producers, singers, dancers, booking staff, sound engineers, riggers, buskers, hospitality staff, writers, choreographers, lighting engineers, technicians, set designers, graphic artists, poets, copy writers, actors, musicians, empresarios, directors, hosts, comedians, cameramen, cleaning staff, ushers, set painters, make up artists, wardrobe directors, tour managers, security staff, catering staff, poster makes, printers, flyer distributors and  many, many others - the Creative Arts Industry - in a stress position where we will, due to impending economic poverty  as a direct result of lack of adequate support be forced to demand to be able to return to work in unsafe situations.

This will without doubt increase the risk of spreading the virus, and then we and our customers will be blamed for spreading the virus, for our lack of 'common sense', and then our businesses, theatres, recording studios, clubs, halls, festivals and pubs will be shut down a second time, and there will be no furlough offered - everyone will be expected to move onto Universal Credit.

Then the Industry will be ripe for a business take over.

The Creative Industries are a potential bonanza for those with the cash to buy up existing yet struggling enterprises at knock down prices.

Those who have cash reserves will be in a position to buy up what ever is left, at very low prices, to be held until the economy opens up again, and then make investment gains for the purchasers as those assets regain value. The kinds of people who bet against industries failing, and make a lot of money doing so.

Jacob Ress Mogg and Pater,  aspirant minnows among that shark infested pool of avarice.  Government issuing muti-million pound contracts to tiny companies with little experience, no staff, minimal turnover. Clearly the shock doctrine opportunists are in full flow.

European countries have seen this threat and are taking steps to protect their native Arts and Creative Industries. Not the UK. They have abandoned the Arts and Creative Industry.

When what was needed, and what is still is needed, is to pay everyone to stay home, to be able to be comfortable enough to stay safe for 12 weeks, to follow the proven eliminate the virus from community transmission protocols,  which includes, of course ,strict quarantine of incoming travel, as have other states done, as Scotland's First Minister will have to do very soon to protect her people, those she genuinely serves.

Then, when the country is made safe, we can return then return to work, to live and to play in a happy State, having succeeded has New Zealand has, in eliminating community transmission, with secure quarantined borders (taking back control) and with vigilant systems in place in case of any outbreaks. This is all eminently feasible, and necessary - with the UK population of 67 million still only at under 5% infected, there is 95% and more to play for.

Bearing in mind that elimination of community transmission will protect people and the economy and make the wait for a vaccine so much less burdensome and frightening.

Rather than making the economy scream so that Hedge Funds and others can game the situation, which is the existing policy stance of the Johnson Government - they are not the UK Government, they are the Hedge Fund Mining Giants Government in occupation.

https://bylinetimes.com/2020/07/03/sagegate-how-government-neutered-science-to-save-the-economy-and-chase-the-ghost-of-herd-immunity/

An interesting article on what is known as Sage Gate. The gaming of a novel infectious viral disease.

One Voice

With that in mind, I feel a deep and painful frustration, a pain in my heart that is heavy with dismay and disillusionment, as I look at the 70,000+ excess deaths that have 'happened', each and everyone avoidable.

How can the Arts community stand to look at itself in the mirror, aware as we all are of so much avoidable death and taking notice of the lack of a voice in the UK and in Ireland, a clear speaking voice, a creative communicative voice grounded in the evidence of epidemiology, virology, public health, social care and economics, a hearty voice speaking out for the suppression of infection rate leading to eliminating community transmission of the virus within the island population of England,  Wales, Scotland and Ireland as a whole bloc as the most appropriate policy to protect both people and economy alike.

What is Art if it is not a voice? Mere entertainment? If so, then the typification of the role of artist as non-essential is a correct typification, for we can all entertain ourselves if push comes to shove. Boredom is always a choice.

Why is the Arts and Creative Industries collective unable to find a common voice, unable to use it's vast talents to speak up for the vulnerable, the disabled, the teachers, the students and the parents who are all being placed at great risk by this governments odious behaviour?

When any figure has a public voice, and there exists a verified threat to the public, to the commons, then it behoves that voice to speak up.

The sound of silence is deafening.

So I wrote these a while ago, trying to suggest we push for the kind of policies New Zealand have proven. Why not? Otherwise it's just more death, sadness, greed and gas-lighting? What have we go to lose?


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Kindest regards

Corneilius

Do what you love, it's your gift to Universe.

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